Blog, Wolf Hall

“In Defence of Thomas More”: A Rebuttal

A friend sent me a recent(ish) article from the Times Literary Supplement titled, "In defence of Thomas More." My quick answer is: that guy doesn't need a defense. But I put a little more work into it, and that's what follows. It's long, by the way, for those who like a warning.

Blog, Wolf Hall

Mike’s Marginalia for Part IV

she [Mary] hints, in Castilian, that it is her women's disorder  From about the age of 15 on, Mary Tudor (Katherine's daughter with Henry; later to be Bloody Mary or Mary I) suffered from irregular periods (and there are a LOT of factors that could have encouraged this, like stress, for example). She eventually dies… Continue reading Mike’s Marginalia for Part IV

Blog, Wolf Hall

Capability Brown

The BBC article is short on information directly related to Henry, Katherine, Anne, or anyone else whose name you may know/backside you've seen on an episode of the very terrible The Tudors, but it does give us a chance, real quick, to discuss the goings on with Katherine at this time.

Blog, Wolf Hall

“He lieth under the shady trees, in the covert of the reed and fens”

We like knowing the beginnings of things -- this sort of purity of source. Many Evangelical Christians hold this hope in their heart that, if one were to drill far enough down/back into history, you'd find the purist version of Christianity that ever existed, before it was corrupted by politics and propositions, changed by shifting alliances and points of view.

It doesn't work that way, though. There has never been an ur-version of Christianity at all. There have been Christianities. But can it work with a portrait? Can we pinpoint when a portrait was painted, and can we then know when someone's obsession started, the purist form of that possession?

Blog, Wolf Hall

“There’s One Sort of Huge Difference?”

There's a new documentary coming, A Tale of Two Sisters, which, I am promised, is not that weird Japanese horror film I saw where something upsetting happened to teeth. (I think it was teeth? Don't you dare tell me.) Instead, it looks at Elizabeth and Margaret, comparing and contrasting them with Anne and Mary.